Recording Studio Live Room Acoustics

Experts agree that the ideal recording studio floor is heavy and has a hard surface.

Recording studio live room acoustics.

Of course you won t get the lush reverb of a big live room in a professional studio but you do get a bit of room ambience which enriches the sound of acoustic instruments in particular. Design considerations for recording studios. For the lead vocal all you have to do is move your mic to the dead end zone. Order direct gik acoustics designs made to order bass traps acoustic panels and acoustic diffusion for home theaters recording studios restaurants listening rooms auditoriums and any environment where listening is critical.

In pro studios where control rooms are used for mixing and live rooms are used for recording different acoustic treatment strategies exist for each purpose. The names and functions of the rooms are. But combined live and control rooms are increasingly common as you might find in a small home studio or medium sized project studio. Hard surfaces are good.

Thick pile carpeting heavy floor to ceiling draperies and dense over stuffed furniture. The strategies we just covered are what you would typically use for a live room to get a nice sound from virtually anywhere in the room. 5 star rated from 500 reviews for our acoustic treatment panels and acoustic room treatments. Control room vs live room strategies.

In any case the floor needs tend to be similar across all these applications. Gik acoustics is known for its expert room acoustics advice and as a. If possible you want to have a room for live recording and another separate room to do post production. Overly live room acoustics will impart that twangy coloration to the original music making it sound blurred and ill defined.

Information and client profiles related to bass traps acoustic panels diffusors for home theater recording studio restaurant acoustics listening rooms. It s critical to match the spl capabilities bass extension and off axis monitor response to both the recording studio s acoustics and the specific task. All the readers are aware of the common. The other extreme is an overly damped dead space.

And if you re going for a dry sound e g. Many professional facilities and home recording studios choose the wrong speakers for their needs. The studio acoustics of these rooms will have vastly different attributes to consider.